So, what's so special about Lycia?
Lycia can be roughly defined as the large, not quite semicircular peninsula that protrudes southwards from the shore of ancient Asia Minor between the cities of Fethiye where that black Defender starts brooding,(ancient Telmessos, on the border of the ancient region of Caria) and Antalya (ancient Attaleia, already in Pamphylia, Lycia's Eastern neighbour). Its landscape is defined by a rugged shoreline with a series of mountain chains rising directly behind most of it, traversed here and there by a number of river valleys.
The term Lycia appears to be an exonym, (One for you Andy 63), that is a name not used by the Lycians themselves, but by outsiders, such as Greeks and Romans. Its origins go back to the 2nd millennium BC, when the great Hittite empire occasionally referred to a grouping called the Lukka. The Lycians called themselves Trmmis or Termyloi and had their own (Indo-European) language. For a few centuries, they also had their own alphabet, derived from the Greek one.
In spite of Lycia's wealth in archaeological sites, much of the region's history remains quite enigmatic. One of the reasons for the relative lack of specific sources is the fact that for most of its early history Lycia was not a defined political entity or state, another is simply that it was rarely at the centre of historical developments.
Little is known of the region's prehistory and early history. Although Homer already mentions it repeatedly, Lycia only really becomes visible around the 7th and 6th centuries BC, when the Greeks' eastward expansion led to occasional contact between Lycia and parts of the Greek World, especially nearby Rhodes. By the mid-6th century BC, along with the rest of Asia Minor, Lycia was conquered by the Persians. In the middle of the 5th century, when Athens was at the height of her power, actively pushing against the Persians in Anatolia, Lycia briefly joined the Delian League (or Athenian empire), perhaps not voluntarily.
This did not last long: by the late 5th century, Lycia had repelled Athenian attempts at regaining control. For a few generations, Lycian communities thrived under the dynastic rule of local aristocrats, but under Persian sovereignty. In the 4th century, the region was incorporated into the Persian satrapy of Caria and governed alongside its western neighbour by the Hecatomnids, the same dynasty that produced Mausollos, whose monumental grave at Halikarnassos was counted among the Seven Wonders of the Ancient World. With Alexander's conquest of Asia Minor in 334/3 BC (he wintered in Phaselis on Lycia's eastern coast), Lycia became part of the wider Hellenistic World, later to be Romanised, Christianised and so on.
The key cultural expression of this complex and unusual history is Lycia's archaeology, especially its unique funerary architecture. In fact, the earlier history of many Lycian sites is much more visible in the form of monumental cemeteries than in that of settlements, fortifications and so on. Especially during the "dynastic" period around the turn of the 5th/4th centuries BC, regional centres such as Xanthos, Tlos, Lymira or Pinara were embellished with large and elaborate built or more often rock-cut tombs that are unique to the region, incorporating a local Anatolian background while freely adopting both Greek and Oriental elements.
The impression is that the Lycians were well aware of their interesting and somewhat unusual position at the interface of the Greek/Western and the Persian/Eastern cultural spheres, and that they quite deliberately made use of both influences, uniting them with the local tradition to create architecture that was and remains unmistakably "Lycian" in character.
Lycian tombs are supremely strange at first sight, many of which resemble the upturned and beached boats on the beaches of my Devonian childhood. Archaeologists divide them into various separate types, including rock-cut "house tombs", free-standing "house tombs", and so-called "pillar tombs". "Temple tombs" also occur, but may be a little more international in character. The details of these monuments, often cut from the sheer rock, include imitations of wooden architecture, perhaps suggesting Lycian houses or shrines, but also carved motifs inspired by Greek sculpture and even Greek myth, and likewise Eastern motifs. Since Lycia was not politically unified at the time, the tombs are an important expression of regional identity and of local individualism at the same time.